"End of Watch" is the most intense cop drama to hit wide release in quite some time. Considering its writer/director's past work, that shouldn't be surprising.
It's been a long time since we've been able to say this: the new Clint Eastwood film is a great date movie.
Disney/Pixar roll out its latest 3-D re-release this week, and unlike the original film itself, the 3-D version of "Finding Nemo" barely makes a splash.
"For a Good Time, Call ..." is a modern-day sex farce made for millennial and Generation X women.
I introduced my summer preview by saying Hollywood is counting on 2012 to be the year that audiences return to theaters in greater numbers. The movies are big in scope, feature amazing talent, and are based on reliable characters and properties.
"Lawless" offers gunfights, drama, some comedy, and strong performances. That should be the makings of something great, but these elements do not mesh. Instead, they produce an uneven, disappointing movie.
I'm a big fan of movies without pretense, movies that embrace rather than try to hide what they really are.
Goodbye, Jason Bourne. Hello, Aaron Cross.
The opening scene of "The Campaign" effectively sums up the strategy taken by all modern American political campaigns.
"Ruby Sparks" is a gift for anyone who thought wit had disappeared from American movies and proof that some people in Hollywood still know how to write a great screenplay. The truly remarkable thing is that the script was written by the film's lead actress, Zoe Kazan.
"Total Recall" is a tiresome movie.
"The Watch" was filmed largely in Atlanta, particularly at EUE/Screen Gems studio. That is, unfortunately, the only reason to see it.
(Please read the following review in a fearful whisper.)
The release of "The Dark Knight Rises" tonight at midnight is a significant movie moment.
How do you know a movie is mediocre? When the five minute short that precedes it offers more ingenuity, complexity, and development than the 94-minute feature film.