"The Impossible" doesn't exactly pull off the impossible (a pun which many reviewers will surely use), but it is an astonishing piece of work.
With the arrival of Peter Jackson's "The Hobbit: An Unexpected Journey," another epic adventure begins.
"Hyde Park on Hudson" might be the strangest movie I recommend all year.
"Anna Karenina" is nearly a great film.
I'm the kind of person for whom the phrase "feel-good movie" is a negative term. I like to feel good, and I especially like to feel good by the time a movie's end credits roll.
"Smashed" is an example of many things I love about independent film.
"Wreck-It Ralph" demolished my defenses. I went into this movie with the same mixture of skepticism and hope with which I approach everything I review, but by the end I was pummeled into happy submission. I became a fan, just sitting there loving a movie.
The James Bond movie franchise is now 50 years old - a birthday featured prominently in the film's promotional materials, yet "Skyfall" injects the character and the franchise with renewed attitude and purpose.
In 1916, D.W. Griffith followed up his racist yet massively successful film "Birth of a Nation" with "Intolerance," a 3«-hour long epic consisting of four separate stories, each set in a different time and place: ancient Babylon, the time of Christ, France in 1572 and contemporary America.
Writer-director Martin McDonagh's "Seven Psychopaths" reminded me of the old quote from Euripides: "Cleverness is not wisdom."
"Argo" pulls off several amazing feats.
Science fiction used to be a genre of ideas.
"End of Watch" is the most intense cop drama to hit wide release in quite some time. Considering its writer/director's past work, that shouldn't be surprising.
It's been a long time since we've been able to say this: the new Clint Eastwood film is a great date movie.
Disney/Pixar roll out its latest 3-D re-release this week, and unlike the original film itself, the 3-D version of "Finding Nemo" barely makes a splash.
Subversive films are rarely as polite and amusing as "Tim's Vermeer," an amicable little documentary about Tim Jenison's quest to "paint a Vermeer."
It's that time of year again, when for one night Americans remember that a place called Hollywood still exists and bask in the irresistible glow of the most glamorous show on Earth.
With the Academy Awards only four days away, it seemed an appropriate time to revisit the Oscars of years past.
Page 1 of 1