Characters in Wes Anderson's movies ("Rushmore," "The Royal Tenenbaums") constantly ponder their circumstances in existential terms. They relate the failure or success of the moment to their identity and often speak as if they know precisely where they are in the story we're watching.
Unless you've been in a sensory deprivation chamber for the past month, you've heard there's some horror movie named "Paranormal Activity" ruling the box office. It was made for, like, $10 and has grossed $1 billion or something.
"Jennifer's Body" is the perfect movie at the perfect time for Megan Fox. She has become a huge star without playing a single lead role or having to really act at all (something even she admits). She has built a career on rocking red carpets and lending her eye candy to action movies.
Writer/director Mike Judge captures the hilarity of the workplace as well as anyone. His "Office Space" (an American classic, in my opinion) and "Idiocracy" both flopped in their theatrical runs but have become DVD hits.
Thirty-one years and counting, and the Terminators keep rolling off the assembly line like new iPhones. They are upgraded with shape-shifting abilities, rebooted Sarah Conner assassination levels and, one presumes, better selfie cameras.
July 02, 2015|
BY JAKE COYLE