We are fortunate to live in a time when actresses older than 40 are no longer considered "over the hill." Diane Lane, Helen Mirren, Meryl Streep and many others have proven once and for all that women don't suddenly lose their beauty or their ability to act and draw audiences when they reach a certain age. And there was much rejoicing.
No other movie in 2010 will hit theaters with more hype than "Iron Man 2." You're all waiting for it and you're all going to see it regardless of what I write next, so the real question is, does it live up?
You know those horror stories you hear about people who went in for minor surgery but wake up to find the doctors mistakenly performed some radical procedure? Like a guy who goes in for a vasectomy but has his leg amputated?
By the time you read this, the 2010 edition of the Atlanta Film Festival will be winding down. Today is the final day, with a full schedule of films, then the week wraps up Friday night with the Drive-By Truckers shindig.
For the next eight days, the Atlanta Film Festival offers movie lovers a veritable paradise - more than 100 films that celebrate local talent, discover voices from around the world and frequently defy categorization.
For decades, Hollywood stuck to a predictable calendar. Studios released family fare and their better-genre pictures during fall, offered their award winners for our consideration in the winter, dumped their losers and specialty pics each spring, and unleashed their tent-pole blockbusters every summer.
"Repo Men" is an "interesting" movie in the same way the "Bodies" exhibition (the one with human cadavers variously posed) is "interesting" art. Is this good art? Bad art? Is it art at all? Answers to these questions vary widely, but no one can deny that it's "interesting."
Director Paul Greengrass teamed up with Matt Damon for two of the past decade's best action films, "The Bourne Supremacy" and "The Bourne Ultimatum." Those movies achieved something rare by both satisfying critics and scoring huge at the box office.
"Alice in Wonderland" constitutes a meeting of three long-established, distinctive brands. Disney produces, Tim Burton directs and Lewis Carroll provides the story. It's the sort of pedigreed project that generates excitement and high expectations. Which means someone's going to be disappointed.