One of the most exciting movie events of the decade is entering its endgame this month. The last chapter of the Millenium trilogy, "The Girl Who Kicked the Hornet's Nest," hits limited theatrical release this week and will hopefully spread out over the coming weeks.
Sitting through "Jackass 3D" was the worst 90 minutes I've spent in a movie theater. Hands down, no contest, ever. I can't imagine a more disgusting, stupid, pointless movie ever making it to mainstream theaters.
One of my greatest pet peeves is American remakes of great foreign films. I know there are people, probably plenty of you reading this, who simply don't enjoy reading subtitles. But I will never understand why it's better to watch an inferior remake just to avoid having to glance down to briefly read some dialogue.
Because it doesn't already consume enough of our lives, Facebook will now take over movie theaters beginning this Friday. If the very idea of a Facebook movie makes you groan, believe me, I understand. That was my initial reaction, too.
I don't think I've ever been so glad to have grown up male. If surviving high school is really as difficult for girls as "Easy A" makes it seem, young women should receive medals along with their diplomas.
A man in plain clothes walks alone through the dim, narrow cobblestone streets of a small Italian town. His name might be Jack or it might be Edward. He is handsome but otherwise unremarkable, able to blend into crowds easily.
I can't remember when I've been so happy for a summer movie season to end. It may have been the hottest summer on record outside the theater, but it was ice cold inside. As in, usually the air conditioning was the best part of the movie.
"Scott Pilgrim vs. the World" defines its audience from the moment the studio logo appears. The earth spins into view rendered in blocky Atari graphics, then "Universal" wraps around it in lettering reminiscent of the original Donkey Kong or Pac-Man games.
A movie titled "Dinner for Schmucks" pretty much requires me to use some food metaphors, and rather than try to sneak them in as if it's far more clever than it really is, let's just embrace the cliché, shall we? Here's a review of the movie as if it were a seven-course meal.
Transitioning from teen idol to serious adult actor is tricky business, and "Charlie St. Cloud" is obviously part of Zac Efron's attempt to make that move. He recently starred in a Richard Linklater movie called "Me and Orson Welles" which earned strong reviews and zero box office. He then catered to his demographic with "17 Again." And now, he gets to lead a serious, heart-rending rather than heart-throbbing drama.