Judd Apatow has decided to grow up, and we should all rejoice. "Funny People" is only the third movie directed by Apatow ("40-Year Old Virgin" and "Knocked Up"), but his production company has dominated American comedy for years now (his production credits include "Talladega Nights," "Superbad" and "Pineapple Express"). The Apatow films have all focused on exactly three themes: teenage angst, coming of age late in life and bromance. "Funny People" doesn't exactly depart completely ...
Sitting through "Orphan" is like being forced, like Alex in "A Clockwork Orange," to watch videos of child abuse. This is easily the worst film of the year, and it exploits child actors so shamelessly I can scarcely believe it's legal. I've seen plenty of bad movies, but it's a rare film that sends me into moral outrage.
Harry Potter comes to our rescue this week. The sixth installment of the Potter series will undoubtedly banish all gay caricatures and obnoxious robots to the bottom of the box office top 10, even though the movie doesn't offer the pyrotechnics we usually expect during summer.
What kind of a world do we live in when "Brüno" opens to fanfare and a wide release, yet an instant science fiction classic like "Moon" barely makes it to theaters?
"Public Enemies" makes a rather strange midsummer release. This somber gangster piece set in the 1930s comes out at a time when transforming robots and Sacha Baron Cohen's latest affront to comedic taste ("Bruno") look sure to rule the box office for weeks.
"Transformers 2" features the most impressive robots ever programmed into a computer and many battalions of heavily-armed American military men, all of whom blow up everything in sight. And all this carnage adds up to a dizzying, exhausting, loud, clanging, clanking, whirring, headache-inducing scrap pile of a movie.
"Away We Go" provides perfect counterprogramming for those who aren't impressed by computer-generated dinosaurs, overblown violence and all the other trappings of summer blockbusters.
So right now you're thinking, a review of "Up," isn't Marker a little late on this one?
"Land of the Lost," this week's only big-budget release, brings an end to this summer's streak of solid releases. It's the immediate frontrunner in the race for worst summer movie.
Sam Raimi has gone back to using his powers for evil, and it's a good thing. Raimi made a name for himself with his series of "Evil Dead" movies. And if you've seen them, you know that Raimi's sense of humor is unlike any other. He combines shock with schlock, murder with parody and suspense with silliness. When it comes to style the man occupies his own ZIP code. But fans also know that for ...
It's mid-May and we're already two releases into summer: "Wolverine" (yawn) and "Star Trek" (neat-o!). From now until September, the movie forecast calls for enormous explosions, spectacular special effects and mediocre writing. Surprisingly, there's also some comedy and romance for those who don't eat testosterone for breakfast. Here are the summer movies on our radar.
It's difficult to overhaul any successful TV or movie series, but when that series is "Star Trek," it seems downright impossible. Gene Roddenberry's original series has spawned many spinoffs, but fans tend to get a little touchy when someone tampers with Kirk, Spock and the rest of the Enterprise crew.
"Ghosts of Girlfriends Past" marks a great departure for Matthew McConaughey as an actor: he only takes his shirt off once in this movie.
We're past the midway point of this year's outstanding edition of the Atlanta Film Festival. Here's a look at a few of the best films to screen so far.
The Atlanta Film Festival begins tonight and runs through April 25, and it promises to highlight homegrown talent while serving as a launching pad for films from around the world.
"American Hustle" is now officially one of the buzziest films of the awards season.
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