"Source Code" could easily have been released during the '70s, the era of high concept science fiction and paranoid thrillers. Director Duncan Jones manages to update those formulas, though, into a smart action movie that fits perfectly into 2011 America.
In the latest attempt to cash in on the girls-who-love-monsters phenomenon, director Catherine Hardwicke ("Twilight," "Thirteen") turns "Red Riding Hood" - the fairy tale of a girl stalked by a wolf on the way to grandma's - into a romantic horror movie that fails on every level.
Is it enough for a movie to have a passable plot as long as the actors are really, really ridiculously good looking? "I Am Number Four" might be the prettiest movie of 2011, and lest you think that's a sexist soft lead, "prettiest" applies to both male and female stars alike.
Oh, I can just hear it now. All the Shakespeare purists will soon be noisily picking apart "Gnomeo & Juliet," an unassuming animated family movie that riffs on "Romeo and Juliet." They'll pull out quotes arguing for the gravity with which we must treat The Bard and prove the essentially tragic nature of the original play.
It is a joy to watch an actor embody a role with complete confidence and understanding of the character. You might think I'm referring to the stars and seasoned character actors in "True Grit," which include Jeff Bridges, Matt Damon, Josh Brolin and Barry Pepper.
"Mad Max: Fury Road," the first film in the Mad Max franchise to be released since 1985, comes out next month. Since I love action and post-apocalyptic films, I had to watch other movies in this series before I see Fury Road.