File this under "Columns I never Expected to Write." North Georgia is playing against character type this week, socking all of us with a paralyzing blanket of snow and ice.
It's a bad sign when the best thing you can say about a movie is: it isn't too long.
It is a joy to watch an actor embody a role with complete confidence and understanding of the character. You might think I'm referring to the stars and seasoned character actors in "True Grit," which include Jeff Bridges, Matt Damon, Josh Brolin and Barry Pepper.
Hollywood definitely saved its best for last in 2010. No single movie looks to dominate the box office the way "Avatar" did last year, nor does any movie look poised to sweep the awards season (although "The Social Network" seems to be leading the pack for the moment).
I've never seen anything like "Black Swan," and I almost never get to say that.
The Chronicles of Narnia series returns this week - but it almost didn't.
"Love and Other Drugs" is a testament to the talent and appeal of its stars, Anne Hathaway and Jake Gyllenhaal.
Here's all you need to know about the new Dwayne Johnson star vehicle, "Faster."
Haven't they toyed with us long enough? Isn't it time to bring the Harry Potter saga to an end?
In theory, the New York Yankees should win the World Series every year. Their total payroll is more than double that of 21 of the 29 other teams in Major League Baseball, and over $40 million more than the team with the second highest payroll. Which means every year they field more talent than each of their competitors. It also means their fans expect them to be perfect.
At last, the big blue head arrives.
One of the most exciting movie events of the decade is entering its endgame this month. The last chapter of the Millenium trilogy, "The Girl Who Kicked the Hornet's Nest," hits limited theatrical release this week and will hopefully spread out over the coming weeks.
Sitting through "Jackass 3D" was the worst 90 minutes I've spent in a movie theater. Hands down, no contest, ever. I can't imagine a more disgusting, stupid, pointless movie ever making it to mainstream theaters.
It's fashionable these days to say that 40 is the new 30, 50 is the new 40, and so on. In "Red," however, 50 is still 50, 60 is still 60, and that's the whole point.
One of my greatest pet peeves is American remakes of great foreign films. I know there are people, probably plenty of you reading this, who simply don't enjoy reading subtitles. But I will never understand why it's better to watch an inferior remake just to avoid having to glance down to briefly read some dialogue.
Subversive films are rarely as polite and amusing as "Tim's Vermeer," an amicable little documentary about Tim Jenison's quest to "paint a Vermeer."
It's that time of year again, when for one night Americans remember that a place called Hollywood still exists and bask in the irresistible glow of the most glamorous show on Earth.
With the Academy Awards only four days away, it seemed an appropriate time to revisit the Oscars of years past.
Page 1 of 1