"Snitch" offers one of the oddest casting pairings we've seen for a while. I never thought I'd see Dwayne Johnson and Susan Sarandon sharing the screen together in an action movie, but surprisingly, it ends up making sense.
Note: Jeff Marker's weekly movie review column will return next week.
Steven Soderbergh has built one of my favorite careers of all time. Few directors have ever or will ever match the quantity, quality and diversity of his work.
First of all, let's get one thing straight. "Warm Bodies" is not a zombie movie.
If Dustin Hoffman ever decides to quit acting, he could have a fine second career as a director. "Quartet" is Hoffman's official directorial debut, and it is a joyous film.
This being the last column in which I will mention the 2012 year in movies, it's time to make some observations.
Now that the nominees have been announced, the Oscar discussion shifts to predicting winners.
And the hits just keep on coming.
One of the year's most controversial films is, in my opinion, also its best.
This week we begin our annual look at the movies likely to compete for best picture at the Oscars, as well as the actors who might take home a statue. Studios use the award season as low-cost publicity, so this series also serves as a winter preview since some of these films will hopefully make it to area theaters over the next month or two.
Fans of crime writer Lee Child (pen name of Jim Grant) were livid when they heard Tom Cruise would be cast as Jack Reacher in the movie adaptation, and rightly so.
Quentin Tarantino. The name inspires a wild mixture of reactions.
Confession is good for the soul, so here goes. I do not like the musical "Les Misérables."
"This Is 40" is among the worst movies bearing the name of writer/director Judd Apatow. And that is really saying something.
"The Impossible" doesn't exactly pull off the impossible (a pun which many reviewers will surely use), but it is an astonishing piece of work.
The 2014 domestic box office is down 6 percent from where it was this time last year, by about half a billion dollars. Sure, the foreign box office is picking up some of the slack, but it still raises the stakes very high for Hollywood this fall season.
The talk these days among anyone who has an interest in the movie industry is how badly the North American box office has fallen off.
"The Last of Robin Hood" is the latest in what has become a series of films taking a revisionist look at Hollywood history. It has a certain amount in common with "My Week With Marilyn," for instance, since they both attempt to offer insight into the real person behind a cinematic legend.
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