Summer 2012 was unquestionably the best tentpole season Hollywood has offered in years. Summer 2013, however, is wildly unpredictable. While we don't yet know which will hit and which will miss, here are the movies people will be talking about during the warm months. Stay tuned for more next week!
Michael Bay has made a comedy ... sort of.
The audience for Universal's science-fiction blockbuster, "Oblivion," is small and easy to define.
Legendary Pictures' biopic "42" opens this Friday, timed to coincide with Major League Baseball's Jackie Robinson Day, when the league commemorates Robinson's major league debut and the end of the color line in baseball.
Genre filmmaking can be like a great conversation. If both the filmmakers and viewers know the conventions of the genre, it's like they share a common language.
A feature film "Free China: The Courage to Believe" will be screened at 7 p.m. Thursday, March 28, at part of the Southern Circuit Tour of Independent Filmmakers at The Arts Council's Smithgall Arts Center in Gainesville.
For the second week in a row, a movie fails to live up to the superlative in its title. "Oz the Great and Powerful" was neither great nor powerful, and "The Incredible Burt Wonderstone" is a far cry from incredible.
"Oz the Great and Powerful," a prequel to the iconic 1939 adaptation of L. Frank Baum's "The Wizard of Oz," is being framed as a huge gamble for Disney.
Another week, another folk tale hits movie theaters.
"Snitch" offers one of the oddest casting pairings we've seen for a while. I never thought I'd see Dwayne Johnson and Susan Sarandon sharing the screen together in an action movie, but surprisingly, it ends up making sense.
Note: Jeff Marker's weekly movie review column will return next week.
Steven Soderbergh has built one of my favorite careers of all time. Few directors have ever or will ever match the quantity, quality and diversity of his work.
First of all, let's get one thing straight. "Warm Bodies" is not a zombie movie.
If Dustin Hoffman ever decides to quit acting, he could have a fine second career as a director. "Quartet" is Hoffman's official directorial debut, and it is a joyous film.
This being the last column in which I will mention the 2012 year in movies, it's time to make some observations.
Director Nick Cassavetes' female-bonding, cheating-husband-punishing comedy "The Other Woman" sets a new bar for erratic storytelling.
The British drama "The Railway Man" is based on the memoir of the same title by Eric Lomax, and the best thing I can say for the movie is it makes me want to read the book.
It was inevitable that Blue Sky/20th Century Fox would make a sequel to "Rio," a modest hit in 2011 that earned almost $500 million worldwide. That's what studios do: milk each intellectual property for as much box-office revenue as possible.
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