The talk these days among anyone who has an interest in the movie industry is how badly the North American box office has fallen off.
"The Last of Robin Hood" is the latest in what has become a series of films taking a revisionist look at Hollywood history. It has a certain amount in common with "My Week With Marilyn," for instance, since they both attempt to offer insight into the real person behind a cinematic legend.
America lost two entertainment legends this week: Robin Williams and Lauren Bacall.
Any discussion of Richard Linklater's "Boyhood" necessarily begins with how the film was made, because that alone is practically a miracle.
"Guardians of the Galaxy" is the most purely entertaining movie of the summer. It isn't even a contest.
You're going to hear strange popping sounds Friday afternoon around the time "Lucy" has its first showing. They will be the sounds of scientists' heads exploding all around the world.
"The Purge: Anarchy" is a political polemic disguised as a horror film. I view that as a good thing, but horror fans may not.
"Dawn of the Planet of the Apes" swings into theaters this week, continuing one of the most surprisingly enduring franchises in movie history.
What if I told you a movie was about four bikers who destroy a pawnshop, cause significant damage to a bar and are chased out of it by angry drinkers? Then I told you the same four bikers break into a private residence and a barn, steal two cars, crash a high school party where everyone is drinking and having sex and commit other serious crimes.
Netflix's most successful original series returned a few weeks ago for Season 2 with its dazzling array of rich characters and sardonic, femme-skewing wit.
The documentary "Ivory Tower" examines the state of higher education in the United States. And while its entry into limited release this weekend has thus far been quiet, it could end up making a lot of noise.
The most important thing to know about "The Rover" is it's an earnest, fearless attempt to explore the human soul and motion pictures as an art form.
In many ways, "22 Jump Street" is a typical comedy of the mid-teens.
"Edge of Tomorrow" is probably the most entertaining mess we'll see all year. I can't remember the last time I had so much fun watching a movie that makes so little sense.
Each year, critics and fanboys eventually start arguing over which summer blockbuster is the best of the season. It's probably too early to start that conversation, but it's unlikely any other major summer release will equal "X-Men: Days of Future Past" for screenwriting craft, characterization or complexity.
We have forgotten how subtle Al Pacino could be, pre "Hoo Hah!" Something about his Oscar winning turn in "Scent of a Woman" unleashed the beast, a performer as big, broad and puffed up as that mountain of hair he keeps teased about his head.
In June of 1964, three civil rights workers, two white and one black, went missing in Mississippi. Later found murdered and buried in an earthen dam, the case captured national attention and sparked a massive FBI investigation.
"The Wedding Ringer" is "Wedding Crashers Redux," a "Hangover Lite" that softens manic funnyman Kevin Hart's persona into someone almost as funny, but more sentimental than abrasive. That helps "Ringer" work as a bromantic comedy that feels like a romantic comedy.
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