Perhaps the only feat more amazing than a snail racing in the Indianapolis 500 is a group of filmmakers making a good movie about a snail racing in the Indianapolis 500.
Another week, another deafening, dumb computer-generated orgy of destruction.
Universal Pictures really pulled off something back in 2010 when "Despicable Me" earned more than half a billion dollars worldwide and worked its way into the home video hearts of America.
"The Lone Ranger" is shaping up to be quite a divisive movie.
"Monsters University" fits into a few ongoing trends.
"World War Z" might go down in film history as one of the greatest recoveries of all time.
One thing I can virtually guarantee is "Man of Steel" will not receive a fair chance to succeed, either critically or commercially. And so much is riding on this movie.
"The Purge" suffers from an identity crisis.
Vince Vaughn and Owen Wilson are back in theaters trying to grow up again, and the result is about as good as the previous 10 times they've attempted it.
"Frances Ha" is one of the buzziest movies of the year within the specialty film market - you know, that category of movies where superheroes are not allowed and characters possess remarkable powers of self-examination.
There is nothing innovative or surprising about "After Earth." It plays out a simple scenario, tells its story efficiently and doesn't try to reach beyond the filmmaker's abilities.
Nothing about "Fast & Furious 6" makes sense. The initial premise, every aspect of character development, and every plot point are all ridiculously, shockingly mindless.
When did you become aware of Samabaj, and how did the film project get launched?
"Mayan Blue" is an atypical Georgia film. Most of the crew either come from or live in North Georgia, yet the film was shot entirely in Guatemala and features an abundance of breathtaking underwater cinematography.
Sandwiched among the usual superheroes and science-fiction epics comes a very odd summer tentpole release, an extravagant, big budget adaptation of F. Scott Fitzgerald's literary masterpiece, "The Great Gatsby," directed by Baz Luhrmann ("Moulin Rouge!", "Romeo + Juliet") and in 3-D.
Last week, I profiled some of the higher-profile movies set to hit theaters in the next few months, but that's only part of the story.
The 2014 domestic box office is down 6 percent from where it was this time last year, by about half a billion dollars. Sure, the foreign box office is picking up some of the slack, but it still raises the stakes very high for Hollywood this fall season.
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