Movies based on real recent events can be tricky. "Captain Phillips" is based on a true story, but as is often the case, it's debatable how truthfully the film tells the story.
In spring 1999 while working as a magazine editor in New York and Atlanta, Keith Dunavant traveled to Alabama to do a feature story on Wilbur Jackson, the first African-American to sign a football scholarship with the University of Alabama.
Joseph Gordon-Levitt is on a remarkable streak.
Moviegoers have plenty of reasons to be skeptical of sequels these days.
Theaters should hand out oxygen masks when moviegoers buy tickets to "Gravity." Director Alfonso Cuarón's science-fiction thriller is many things, but above all else, it is one of the most suspenseful films released in years.
"Instructions Not Included" (original title "No se Aceptan Devoluciones") is one of the most interesting cinematic surprises to come along in years.
Ah, the fall season has finally arrived. I make no secret of nor apology for my disdain of the summer season. Even when it's a strong lineup of blockbusters, it's a deafening, dumbing few months. And this was a horrible summer season. There's nowhere to go but up for the fall season. Here's a rundown of the more promising films coming our way.
Athens native James Ponsoldt's "The Spectacular Now" is a bona fide festival circuit and art house hit that is now widening into multiplexes in our area. This is the moment when the film either breaks into mainstream success or doesn't, and few indies are more deserving of reaching a wider audience.
If you've ever wondered what would happen if Harry Potter and Bella Swan hooked up, we now know. The offspring would be "The Mortal Instruments: City of Bones."
Some sequels force us to re-examine what made us like the original film. "Kick-Ass 2" has that effect, because it shares many surface qualities with its predecessor but offers none of its impact.
Talking with James Ponsoldt makes you excited about movies. The Athens filmmaker has an extensive knowledge of film history and an infectious enthusiasm for his art. Even when diagnosing some of Hollywood's problems, he speaks with optimism and excitement.
Writer/director Michael McGowan's "Still Mine" is part of a growing trend in independent cinema, films made for mature audiences.
"The Wolverine" is probably the best blockbuster of the summer season, but that isn't necessarily saying much.
Perhaps the only feat more amazing than a snail racing in the Indianapolis 500 is a group of filmmakers making a good movie about a snail racing in the Indianapolis 500.
Another week, another deafening, dumb computer-generated orgy of destruction.
The talk these days among anyone who has an interest in the movie industry is how badly the North American box office has fallen off.
"The Last of Robin Hood" is the latest in what has become a series of films taking a revisionist look at Hollywood history. It has a certain amount in common with "My Week With Marilyn," for instance, since they both attempt to offer insight into the real person behind a cinematic legend.
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