What kind of a world do we live in when "Brüno" opens to fanfare and a wide release, yet an instant science fiction classic like "Moon" barely makes it to theaters?
"Public Enemies" makes a rather strange midsummer release. This somber gangster piece set in the 1930s comes out at a time when transforming robots and Sacha Baron Cohen's latest affront to comedic taste ("Bruno") look sure to rule the box office for weeks.
"Transformers 2" features the most impressive robots ever programmed into a computer and many battalions of heavily-armed American military men, all of whom blow up everything in sight. And all this carnage adds up to a dizzying, exhausting, loud, clanging, clanking, whirring, headache-inducing scrap pile of a movie.
"Away We Go" provides perfect counterprogramming for those who aren't impressed by computer-generated dinosaurs, overblown violence and all the other trappings of summer blockbusters.
So right now you're thinking, a review of "Up," isn't Marker a little late on this one?
"Land of the Lost," this week's only big-budget release, brings an end to this summer's streak of solid releases. It's the immediate frontrunner in the race for worst summer movie.
Sam Raimi has gone back to using his powers for evil, and it's a good thing.
It's mid-May and we're already two releases into summer: "Wolverine" (yawn) and "Star Trek" (neat-o!). From now until September, the movie forecast calls for enormous explosions, spectacular special effects and mediocre writing. Surprisingly, there's also some comedy and romance for those who don't eat testosterone for breakfast. Here are the summer movies on our radar.
It's difficult to overhaul any successful TV or movie series, but when that series is "Star Trek," it seems downright impossible. Gene Roddenberry's original series has spawned many spinoffs, but fans tend to get a little touchy when someone tampers with Kirk, Spock and the rest of the Enterprise crew.
"Ghosts of Girlfriends Past" marks a great departure for Matthew McConaughey as an actor: he only takes his shirt off once in this movie.
We're past the midway point of this year's outstanding edition of the Atlanta Film Festival. Here's a look at a few of the best films to screen so far.
The Atlanta Film Festival begins tonight and runs through April 25, and it promises to highlight homegrown talent while serving as a launching pad for films from around the world.
I did not hate "Hannah Montana: The Movie."
"Adventureland" is not what you expect. The publicity for this movie makes it look like a sequel to "Superbad," with all the vulgarity and body jokes we expect from a Judd Apatow production.
The highest compliment I can pay "Monsters vs. Aliens" is that it delivers on its promises. The title promises monsters fighting aliens, and that's what we get.
Subversive films are rarely as polite and amusing as "Tim's Vermeer," an amicable little documentary about Tim Jenison's quest to "paint a Vermeer."
It's that time of year again, when for one night Americans remember that a place called Hollywood still exists and bask in the irresistible glow of the most glamorous show on Earth.
Harold Ramis died Monday at the age of 69, and I have to admit I am a bit surprised by the volume and intensity of grief about his death.
Page 1 of 1